![]() With Suspiria I wanted 400 degrees,’ giallo auteur Diaro Argento famously said about his supernatural slasher. ‘Fear is a 370-degree centigrade body temperature. Farrow and Cassavetes’s performances as a couple disintegrating serve Polanski well in his attempt to make the potential alienation of everyday family life feel horrific, and the faux-naive score, evoking lullabies, makes the whole affair feel doubly creepy in the most heady way possible.Ĭast: Jessica Harper, Stefania Casini, Flavio BucciĪn elegantly choreographed dance of death There are some more explicit key scenes – a potential nighttime rape and a chilling climax – that serve to get right under our skin without making the whole premise seem ridiculous. This is the intelligent, subtle face of horror, as Polanski limits the specifics to a minimum and keeps us guessing as to how much is going on merely in the mind of Mia Farrow’s character as she comes to believe she’s been impregnated by a creepy bunch of well-to-do Manhattanites with a connection to the occult. It’s hard enough moving into a flat and trying to start a family without having to wrestle with the enveloping suspicion that your new neighbours might be satanists dead-set on parenting a demon child via you. And make no mistake: The Exorcist is most definitely a horror film: though it may be filled with rigorously examined ideas and wonderfully observed character moments, its primary concern is with shocking, scaring and, yes, horrifying its audience out of their wits – does mainstream cinema contain a more upsetting image than the crucifix scene? That it still succeeds, almost four decades later, is testament to Friedkin’s remarkable vision.Ĭast: Mia Farrow, John Cassavetes, Ruth Gordon In cutting from the clanging bazaars of Iraq to the quiet streets of Georgetown, in blending dizzying dream sequences with starkly believable human drama, Friedkin created a horror movie like no other – both brutal and beautiful, artful and exploitative, exploring wacked-out religious concepts with the clinical precision of an agnostic scientist. The first to achieve that blend with absolute certainty was The Exorcist – which perhaps explains its position as the unassailable winner of this poll. The first film to attempt to bring the two together was Rosemary’s Baby, but Polanski’s heart clearly belonged to the surreal. ![]() On the other, there were the more outrageous dream-horrors popular in Europe, the work of Hammer Studios in the UK and Mario Bava and Dario Argento in Italy, films that prized artistry, oddity and explicit gore over narrative logic. □ The 15 scariest horror movies based on true storiesĬast: Ellen Burstyn, Linda Blair, Jason Miller, Max von Sydowīy the ’70s, horror had divided into two camps: on one hand, there were the ‘real life’ terrors of Psycho and Night of the Living Dead, films that brought horror into the realm of the everyday, making it all the more shocking. □ Cinema’s creepiest anthology horror movies Written by Tom Huddleston, Cath Clarke, Dave Calhoun, Nigel Floyd, Phil de Semlyen, David Ehrlich, Joshua Rothkopf, Nigel Floyd, Andy Kryza, Alim Kheraj and Matthew Singer There is, after all, more than one way to scare someone – and these movies do it better than all others. Some push boundaries in the name of delivering transgressive shocks, yes, but others manage to burrow under your skin using little more than shadows and suggestions. After all, the best horror movies cut deeper to the human condition than just about any other film experience. And if our list of the greatest horror movies ever made proves anything, it’s that horror has always been deserving of better recognition than it’s received. ![]() ![]() But with its reputation – not to mention box office power – higher than ever before, we wanted to re-evaluate this oft-misunderstood genre. Respect has been hard to come by for horror, which until recently was regarded largely as the realm of hacks and hucksters looking to ride a torrent of blood and guts to make a cheap buck. No wonder, then, that the horror genre has proven to be one of Hollywood’s most successful niches, with the likes of A Quiet Place, Get Out and this year’s M3GAN not just drawing big bucks and rave reviews but becoming certified cultural phenomenons. ![]() Not everyone has the stomach for a giallo gorefest – shoot, some of us tap out on anything more terrifying than Goosebumps – but it’s hard to find someone who doesn’t enjoy catching at least a small fright every now and then. Do you like scary movies? Of course you do. ![]()
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